整理旧档案，并让老艺术家们开口说话，这永远都是危险的：在这过程中我们很可能会出现错误。但多米尼克奥维对杜拉斯非常熟悉，她知道怎样让人们听到今日的艺术家们的声音从大家闺秀到几个熟悉的原因，她知道如何去做，去布置，并加入今日演员们的声音，并将过去，现在的一切都坚持到最后。 Assembling archives, documents, getting ghosts to talk, is always dangerous: there is a risk of losing the living. But Dominique Auvray , who was known to the great lady in more than one way (besides being her script girl and editor, she also directed a beautiful film portrait of M.D.), knows what to do when it comes to arranging and adding today’s actors’ voices, and inviting them all (past, present, lasting insistences) to twirl, along with us, in the dance.