In 1959, an unforgettable boy did "the four hundred tricks" in front of the camera of a beginner named François Truffaut and splashed with his success, popular and Cannes, the filmography of a nascent band of intrepid. Claude Chabrol's "Le Beau Serge", Jean-Luc Godard's "A bout de souffle", Jacques Rivette's "Paris nous appartient", Eric Rohmer's "Le Signe du lion", Jacques Roz...